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Older stuff:October 2002
What I'm listening to:
Just read: (review-o-matic)
"The Sacred Art of Stealing" (Christopher Brookmyre) - 4.8/5 Brookmyre does it again, in this sequel to "A Big Boy Did It And Ran Away". Dadaist bank robbers and cops with personal problems combine in a comedy of criminal manners. Colour me green with envy. (I'm now up-to-date on Brookmyre, and I don't know whether to be happy or sad that there's no more to read until next year.)
"Ghost of the White Nights" (L. E. Modesitt) - 3.7/5 Spy thriller and third in series set in alternate world where ghosts are real, observable phenomena -- and history has turned out rather different. Cloak and dagger intrigue between a Dutch-dominated North America and the Tsar's military in an alternate 21st century Moscow, slightly spoiled by the plot McGuffin being nearly identical to the previous two books.
"Whole Wide World" (Paul MacAuley) - 4.9/5 Writing like Christopher Brookmyre on downers, MacAuley -- one of the UK's best practitioners of the art of hard-SF -- paints an incredibly bleak near-future internet-saturated picture of crime and punishment in the 21st century. Unmissable, and believable.
"The Praxis" (Walter Jon Williams) - 4.2/5 The kind of good old-fashioned space opera that keeps you up 'til three in the morning to see what happens next; first volume of a trilogy, the fall of the Alexandrian Empire with added aliens and intrigue.
"Dead Air" (Iain Banks) - 3.5/5 Unflinching and sharp character profile of a self-destructive wanker immolating himself wilfully. It's beautifully written, but by the time I got three-quarters of the way through it I found myself giving up due to lack of empathy with the protagonist. Who needs a serious kicking.
"Quite Ugly One Morning" (Christopher Brookmyre) - 4.0/5 Brookmyre's first novel, a bit less developed and slick than subsequent products but still amusing and with a rather brutal portrait of the mind of a classic Tory wide-boy villain.
"The Merchant of Souls" (John Barnes) - 4.1/5 Third volume in sequence beginning with "A Million Open Doors" and "Earth Made of Glass" -- innovative space-operatic stuff with a heavy emphasis on experiences of acculturation and loss. Paints a bleak picture of an Earth so engrossed in hedonistic solipsism that ... well, read it if you liked the first two. (I did, and I'll read the next.)
"The Duke of Uranium" (John Barnes) - 3.2/5 Lightweight fluffy kids adventure: Barnes in make-money-fast mode.
"The Collapsium" (Wil McCarthy) - 4.6/5 Picaresque hard-SF comedic throwback to the heroically cardboard days of Hugo Gernsback style ripping space opera yarns, while nevertheless being a throw-forward to a new awareness of character detail in that sub-field -- not to mention being the first to get into print with a whole new family of technologies based on structured matter of a rather exotic variety! McCarthy makes it onto my automatic-buy-in-hardcover list with this one.
"Limit of Vision" (Linda Nagata) - 4.0/5 Competent biotech/hard-SF yarn from Linda Nagata; experiment involving self-replicating neural life forms goes awry, ends up scattered across chunks of Vietnamese jungle leaving protagonists infected with neural symbiotes in stand-off with scheming corporate bureaucrats. Still scratching head over what it all means. A 21st century "The Midwich Cuckoos", only with nanotech instead of aliens?
"Chindi" (Jack McDevitt) - 2.5/5 McDevitt perpetrates space opera again. He's good at characterisation, but his characters and their culture paint a picture of a star-faring 23rd century which is whitebread middle-America writ large. And I really wish he'd come up with a different plot skeleton -- this is the third or fourth novel in a row he's used the same structure for. (He's good at suspense and occasionally dreams up a new McGuffin, but it's getting tiresome.) Verdict: not quite bad enough to put down unfinished. Which is a shame, because he's capable of much better work.
"Declare" (Tim Powers) - 5.0/5 Oh wow. I am very glad I didn't read this before I wrote "A Colder War" or "The Atrocity Archive". Like the latter, it's an explicit cross-over between the occult and the traditional British spy thriller. However, Powers is treating his material with more respect, and his portrayal of Kim Philby as the nexus of a mind-bogglingly weird extension of The Great Game should by rights be one of the classics of the sub-genre. Can be read as an exegesis on faith, a straight thriller, a horror novel, or anything in between. Truly brilliant.
"The Eyre Affair" (Jasper Fforde) - 3.7/5 You may enjoy "The Eyre Affair" if you think self-referential literary conceits are fun, but I don't, and consequently I found it somewhat lightweight, even annoying. Inspector Thursday Next works for LiteraTec as a literary detective. The novel revolves around her pursuit of the dastardly villain Acheron Hades, who has been kidnapping characters from works of fiction and holding them to ransom. Some cute ideas, other aspects spoiled by the lack of polish: this really needed to be written by Eugene Byrne.
"Ares Express" (Ian Mcdonald) - 5.0/5 Why in hell wasn't this on the Clarke award shortlist, or better still, the winner? Ian Mcdonald does magical realism does terraformed Mars -- touching, surreal, funny, sad, knowingly self-aware and astoundingly sensual, this novel was clearly better than almost all other SF novels published in the UK last year, and its absence from the shortlist is little short of scandalous.
"Redemption Ark" (Alastair Reynolds) - 4.2/5 Al Reynolds, master of the dark space opera: his previous two novels ("Revelation Space" and "Chasm City") were both 600 page monoliths with a good 400 page novel struggling to get out, but he's got it right at the third attempt. Compelling, plot-driven, dark far-future SF with odd echos of Bruce Sterling's seminal "Schismatrix".
"The Sway of the Grand Saloon: A social history of the North Atlantic" (John Malcolm Brinnin) - 4.5/5 Magisterial and heavily researched history of trans-Atlantic steamers, with specific reference to the society and culture of the passengers they carried. Covers the period from roughly 1800 (with the early scheduled regular sailing packets) through to 1970.
"Permanence" (Karl Schroeder) - 4.0/5 Amazingly weird space opera that takes brown dwarf star systems, ubiquitous computing, digital rights management and the Fermi paradox seriously. Let down by characterisation quality, this nevertheless fizzes with ideas.
"Bouncing off the Moon" (David Gerrold) - 3.7/5 Middle volume of a trilogy: Gerrold is re-inventing the 1950's Heinlein juvenile. Competent technique, but he tends to preach and drags the plot mechanism along on a wire. (Did I really just confess to reading this?)
"A Big Boy Did it and Ran Away" (Christopher Brookmyre) - 4.8/5 Two students at a Scottish university try to form a rock band, with mixed results. Years later, one of them -- now an English teacher with a three-month-old kid -- sees the other across a crowded airport concourse. Which is odd, because he's supposed to be dead. Only he isn't: he's become the world's most wanted terrorist, and the shit is about to hit the fan in a way that only Brookmyre can deliver.
"Boiling a Frog" (Christopher Brookmyre) - 4.2/5 Another Parlabane novel -- this time less in love with the hero, and more thoughtful. Works well, but looks like it ought to end the series.
"One Fine Day in the middle of the Night" (Christopher Brookmyre) - 5.0/5 A Scottish high-school reunion crossed with Die Hard -- only it's much better than that. This time Brookmyre gets it right on all counts: it's the sort of novel Iain Banks would be writing if he was ten years younger and much, much angrier. Not to say funnier. (And he's pretty funny to begin with.) Wow!
"Country of the Blind" (Christopher Brookmyre) - 3.9/5 Not exactly bad, but clearly one in a series of novels about Jack Parlabane, enterprising investigative journalist (of the black-bag-job variety). Jack gets to stick it to a rather revolting politician, hard. Not the first in the series, and suffers a bit from the author clearly being a bit too in love with his hero -- but enjoyable for all that.
"Empire of Bones" (Liz Williams) - 4.1/5 Near-future SF. The aliens turn up, in the form of ambassadors from a huge, ancient empire ... and it turns out they're not interested in talking to western governments, scientists, or politicians. Instead, Jaya Nihalani, a fugitive Untouchable guerilla dying of a hideous disease, is singled out for their attention. There are wheels within wheels, and machinations between castes in the empire are going to cause earthquakes on Earth before long. Yes, it's an "aliens colonize Earth" novel. It's also an original and intelligent one that doesn't fall for the usual sad stereotypes.
"Not the end of the world" (Christopher Brookmyre) - 4.6/5 Whacky, extremely tight crime/conspiracy thriller centering around oceanographers, porn stars and barking mad fundamentalist preachers in LA. Well-rounded characterisation and a slick plot drag you into a Banksian exploration of the evils of religious fanaticism. Strongly recommended, and Brookmyre goes right onto my "buy on sight" list.
"Orbis" (Scott MacKay) - 0.0/5 Gave up halfway through. Characterisation shallow, basic conceit fun but implausible, background iffy, plot made of paper. (I'll give 0.0/5 for a book I gave up on after getting significantly into. I think if I'd finished it it would be on course for a 2/5, but life's too short.)
"The book of Jhereg" and "The book of Taltos" (Steven Brust) - 4.2/5 (Reprint collections of Brust's earlier Vlad Taltos novels -- heroic fantasy, but a breath of fresh air compared to most of that genre. Light reading, but fun: Brust has more talent in his little finger than Robert Jordan has in his -- no, let's not go there.)
"Bones of the Earth" (Michael Swanwick) - 4.4/5 Really truly excellent dinosaurs/time travel book, with a sting in the tale (spoiled slightly by the way the plot deconstructs to something isomorphic with Asimov's "The End of Eternity", but Swanwick is a much better writer than Asimov and it's still well worth reading)
"redRobe" (John Courtney Grimwood) - 4.0/5 (Enjoyably grim, violent, post-cyberpunkoid chase after the dead Pope's bank account details -- not in the same league as "Pashazade", but still worth reading)
"Schild's Ladder" (Greg Egan) - 3.9/5
(has structural and narrative problems)
"Effendi" (Jon Courtney Grimwood) - 4.9/5 (brilliant middle of a trilogy recapitulating George Alec Effinger's themes)
"Bold as Love" (Gwynneth Jones) - 4.5/5
"Mappa Mundi" (Justina Robson) - 4.1/5
"The British Spy Novel" (John Atkins) - 4.2/5
"Chronospace" (Allen Steele) - 2.9/5
"Vitals" (Greg Bear) - 3.8/5
"Citizens" (Simon Schama)
"The Scar" (China Mieville) (stalled)
(Way out of date -- I'll update this later)
Motto:Now let us peel back the foreskin of misconception and apply the wire brush of enlightenment (Geoff Miller, alt.peeves, 1992)
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