circularabbitat
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Commented on CMAP #8: Lifestyle or Job?
One way to address the solitary nature of this type of work (writing, research, art, coding, designing, etc.) is by going to cafes or bookstores and paying coffee and cookie tax to sit among humans. Better still is the growing...
Comment Threads
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davharris commented on
CMAP #8: Lifestyle or Job?
Charlie Well, I'm just so glad you keep writing, and are managing to make a reasonable living at it. David...
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Sean Eric Fagan commented on
CMAP #8: Lifestyle or Job?
Good. A relative didn't heed my warnings, and ended up taking a year off of work to write her masterpiece historical fiction novel... which nobody would buy. This then leads into the troubles with self-publishing, and the difficulty in getting a job after two years being unemployed. This doesn't mean "don't write." It means go into it with appropriate expectations and goals....
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heliostatic commented on
CMAP #8: Lifestyle or Job?
Charlie, thank you for writing, and for writing well. That's not something I get to say to everyone whose work I appreciate, so I'm especially glad when I can....
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Charlie Stross commented on
CMAP #8: Lifestyle or Job?
Josh Robbins: However, it's a message that beginning SF-only writers need to understand. To be successful as a full-time fiction writer, the less risky path is to work on mainstream novel writing first. After enough success with that, an SF novel could be attempted if a publisher is willing to pay a large enough advance. WRONG. "Mainstream" is itself a genre category -- genre being a convenient tag that tells bookstore staff where to shelve books. Figures from memory: SF/F accounts for about 7% of fiction sales in the US market, while Mainstream is around 11%; crime/thrillers are around 16%,...
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sethg-prime commented on
CMAP #8: Lifestyle or Job?
I have read (perhaps in another CMAP?) that genre publishers prefer authors who can maintain a certain rate of output: i.e., if your first novel comes out in 2010, they'd really like to have a second novel queued up for 2011, so that the buzz generated by the first novel is put to good use. So what happens to mid-list writers who can't sell enough books to quit their day jobs, but can't write fast enough in their spare time to keep up the pace that their publishers want?...
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